| Amerikanistik Leseliste | |
| LMU
München: Grundkurs Amerikanische Literaturgeschichte empfohlen Hubert Zapf. Amerikanische Literaturgeschichte. Stuttgart: Metzler, 1997. |
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| Diese Tabelle ist
eine Kopie der Seiten des Instituts für Amerikanische
Literaturgeschichte an der LMU. Links zu Autoren nur beim ersten Eintrag. |
| Schneller Sprung zu |
| 1. Anfänge der amerikanischen Literatur |
| 2. Romantik |
| 3. Jahrhundertwende 19./20. |
| 4. Zwischen den Weltkriegen |
| 5. Nach dem 2. Weltkrieg |
| 6. Filmliste |
| 7. Schwerpunkt "Theorie" |
| 1. Anfänge der amerikanischen Literatur |
| Edward Taylor. "Meditation 32 (First Series)". Colonial Am. Writing. 2nd Edition. Hg. Roy Harvey Pearce, New York, Chicago: Holt, Rinehart and Winston, Inc., 1969, 442-44. |
| Anne Bradstreet. "A Letter to Her Husband, Absent upon Public Employment". Anthology of Am. Lit. I. Colonial Through Romantic. Hg. George McMichael, New York: Macmillan Publishing Co., Inc., 1974, 100. |
| Cotton Mather. "Magnalia Christi Americana". Anthology of Am. Lit. I. Colonial Through Romantic. Hg. George McMichael, New York: Macmillan Publishing Co., Inc., 1974, 155-64. |
| William Byrd II. "The Secret Diary"; "The History of the Dividing Line". Anthology of Am. Lit. I. Colonial Through Romantic. Hg. George McMichael, New York: Macmillan Publishing Co., Inc., 1974, 196-201; 204-11. |
| Michel Guillaume - Jean de Crèvecoeur. "Letter III"; "Letter IX". Anthology of Am. Lit. I. Colonial Through Romantic. Hg. George McMichael, New York: Macmillan Publishing, Co., Inc., 1974, 429-45. |
| Thomas Jefferson. "The Declaration of Independence"; "Notes on the State of Virginia". Anthology of Am. Lit. I. Colonial Through Romantic. Hg. George McMichael, New York: Macmillan Publishing Co., Inc., 1974, 468-79. |
| Thomas Jefferson. "The Declaration of Independence"; "Notes on the State of Virginia". Anthology of Am. Lit. I. Colonial Through Romantic. Hg. George McMichael, New York: Macmillan Publishing Co., Inc., 1974, 468-79. |
| Benjamin Franklin. The
Autobiography. New York, Chicago: Holt, Rinehart and Winston,
Inc., 1959. |
| Gustavus Vassa. The Life of Alaudah
Equiano, or Gustavus Vassa, The African, Written by Himself. Great
Slave Narratives. Hg. Arna Bontemps. Boston: Beacon Press Boston, 1969,
1-192. |
| Washington Irving. "Rip Van Winkle"; "The Legend of Sleepy Hollow". Anthology of Am.Lit. I. Colonial Through Romantic. Hg. George McMichael. New York: Macmillan Publishing Co., Inc., 1974, 602-40. |
| Charles Brockden Brown. Edgar Huntly. Hg. David Stineback. New Haven: The New College and University Press, Inc., 1973. |
| 2. Romantik |
| Frederick Douglass. "Narrative of
the Life of Frederick Douglass, an American Slave". The Heath
Anthology of Am.Lit. Vol. 1. Hg. Paul Lauter. Lexington,
Mass., Toronto: D.C. Heath and Company, 1990, 1640-1703. |
| Harriett Beecher Stowe. Uncle
Tom's Cabin. New York u.a.: Viking Penguin Inc., 1981. |
"Bartleby, the Scrivener" The Heath Anthology of Am.Lit. Vol. 1. Hg. Paul Lauter. Lexington, Mass., Toronto: D.C. Heath and Company, 1990, 2405-31; 2523-81. |
| Ralph Waldo Emerson. "Nature". The Heath Anthology, 1990, 1471-98. |
| Ralph Waldo Emerson. "Woman". Emerson's Works, Miscellanies. Boston: The Riverside Press, Cambridge, 1884, 335-56. |
| Margaret Fuller. Auszug aus "Woman in the Nineteenth Century". The Norton Anthology of Lit. by Women. Hg. Sandra Gilbert, Susan Gubar. New, York/London: W.W. Norton & Company, 1985, 295-301. |
| Nathaniel
Hawthorne. The Blithedale Romance. Hg.
Seymour Grass, Rosalie Murphy. New York, London: W.W. Norton &
Company, 1978. – |
| Nathaniel Hawthorne. Preface zu "The House of the Seven Gables". Anthology of Am.Lit. I. Colonial Through Romantic. Hg. George McMichael. New York: MacMillan Publishing Co., Inc., 1974, 1086-87. |
| Nathaniel Hawthorne. "The Birthmark". The Heath Anthology of Am.Lit. Vol. 1. Hg. Paul Lauter. Lexington, Mass., Toronto: D.C. Heath and Company, 1990, 2101-12. |
| Nathaniel Hawthorne. "Roger Malvin's Burial". Hawthorne: Selected Tales and Sketches. New York, Chicago: Holt, Rinehart and Winston, 1970, 46-67. |
| Edgar Allan Poe. "The Tell-Tale Heart". The Heath Anthology of Am.Lit.. Vol. 1. Hg. Paul Lauter. Lexington, Mass., Toronto: D.C. Heath and Company, 1990, 1369-72. |
| Edgar Allan Poe. "The Murders in the Rue Morgue". Selected Writings of Edgar Allan Poe. Hg. Edward H. Davidson. Boston: The Riverside Press Cambridge, 1956, 139-71. |
| James Fenimore Cooper. The Pioneers. New York, Chicago...: Holt, Rinehart and Winston, 1966. |
| Walt Whitman. Cantos 5, 6, 24, 49-52 aus "Song of Myself". Anthology of Am.Lit. I. Colonial Through Romantic. Hg. George McMichael. New York: Macmillan Publishing Co., Inc., 1974, 1779-1828. |
| Emily Dickinson. "There's a certain Slant of light"; "Because I could not stop for Death"; "I heard a Fly buzz when I died"; "I'm ceded - I've stopped being Theirs". The Norton Anthology of Lit. by Women. Hg. Sandra Gilbert, Susan Gubar. New York, London: W.W. Norton & Company, 1985, 844; 712; 465; 508. |
| Emily Dickinson. "Of Bronze and
Blaze". Final Harvest: Emily Dickinson's Poems.
Select. and Introd. Thomas H. Johnson. Boston, Toronto: Little, Brown
and Cie., 1961, 49-50. |
| 3. Jahrhundertwende |
| Mark Twain. The Adventures of Huckleberry Finn; "The Notorious Jumping Frog of Calaveras County". Anthology of Am.Lit. II. Realism to the Present. Hg. George McMichael. New York: Macmillan Publishing Co., Inc., 1974, 297-517; 279-84. |
| William Dean Howells. A Modern Instance. Hg. William M. Gibson. Boston: Houghton Mifflin Company, 1957. |
| Henry James. The Turn of the Screw. Hg. Robert Kimbrough. New York, London: W.W. Norton & Company, 1966. |
| Thomas Nelson Page. "Marse Chan". In Ole Virginia, or Marse Chan and Other Stories. Chapel Hill: The Univ. of North Carolina Press, 1969, 1-38. |
| Paul Lawrence Dunbar. "The Ordeal at Mt. Hope". Folks from Dixie. New Jersey: The Gregg Press, 1968, 29-65. |
The Heath Anthology of Am.Lit. Vol. 2. Hg. Paul Lauter. Lexington, Mass., Toronto: D.C. Heath and Company, 1990, 628-32. |
| Charlotte Perkins Gilman. "The Yellow Wallpaper". The Norton Anthology of Lit. by Women. Ed. Sandra Gilbert, Susan Gubar. New York, London: W.W. Norton & Company, 1985, 1148-61. |
| Abraham Cahan. "Yekl". Yekl and the Imported Bridegroom and Other Stories of the New York Ghetto. New York: Dover Publications, Inc., 1970, 1-89. |
| Theodore Dreiser. Sister
Carrie. New York, Chicago u.a.: Holt, Rinehart and Winston,
1957. |
| Edith Wharton. "The Other Two". The Norton Anthology of Lit. by Women. Hg. Sandra Gilbert, Susan Gubar. New York, London: W.W. Norton & Company, 1985, 1184-99. |
| Edith Wharton. "Roman Fever". The Am. Tradition in Literature. Vol. 2. Hg. Sculley Bradley, Richmond Beatty, E. Hudson Long. New York: Grosset & Dunlap, Inc., 1967, 912-23. |
| 4. Zwischen den Weltkriegen |
| Ernest Hemingway. "Hills Like White
Elephants". The Heath Anthology of Am. Lit. Vol 2.
Hg. Paul Lauter. Lexington, Mass., Toronto: D.C. Heath and Company,
1990, 1390-93. |
| Ernest Hemingway. "The Killers". The
Short Stories of Ernest Hemingway. New York: Charles
Scribener's Sons, 1953, 279-89. |
| Gertrude Stein. "The Gentle Lena". The Norton Anthology of Lit. by Women. Hg. Sandra Gilbert, Susan Gubar. New York, London: W.W. Norton & Company, 1985, 1307-32. |
| F. Scott Fitzgerald. The
Great Gatsby. New York: Charles Scribener's Sons, 1961. |
| William Faulkner. The Sound and the Fury. Hg. David Miner. New York, London: W.W. Norton & Company, 1987. |
| Zora Neale Hurston. Their Eyes were watching God. London: Virago Press, 1987. |
| Langston Hughes. Not Without Laughter. New York: Macmillan Publishing Company, 1969. |
| Clifford Odets. Waiting for Lefty. Auch in The Heath Anthology of Am.Lit. Vol. 2. Hg. Paul Lauter. Lexington, Mass., Toronto: D.C. Heath and Company, 1990, 1631-48. |
| Ezra Pound. "Canto I". The Heath Anthology..., 1990, 1179-82. |
| T.S. Eliot. "The Love Song of J. Alfred Prufrock". The Heath Anthology..., 1990, 1301-04. |
| William Carlos Williams. "Young Sycamore". The Heath Anthology..., 1990, 1214. |
| William Carlos Williams. "This is just to say". Anthology of Am.Lit. II. Realism to the Present. Hg. George McMichael. New York: Macmillan Publishing Co., Inc., 1974, 1367. |
| William Carlos Williams. "At Dawn". The Collected Poems of W.C. Williams Vol. 1, 1909-1939. Hg. A. Walter Litz & Christopher MacGowan. New York: New Direction Books, 1986, 36. |
| Louise Bogan. "Women". The Norton Anthology of Lit. by Women. Hg. Sandra Gilbert, Susan Gubar. New York, London: W.W. Norton & Company, 1985, 1612. |
| Langston Hughes. "Ballad of the Landlord" aus Montage of a Dream Deferred. Selected Poems, S. 38-9. |
| 5. Nach dem 2. Weltkrieg |
| Edward Albee. Who's Afraid of Virginia Woolf? N.Y.: Atheneum, 1969. |
| LeRoi Jones (Baraka). "Dutchman". Anthology of Am.Lit. II. Realism to the Present. Hg. George McMichael. New York: Macmillan Publishing Co, Inc., 1974, 1918-33. |
| LeRoi Jones (Baraka). "Black Art". Understanding the New Black Poetry. Hg. Stephen Henderson. New York: William Morrow & Company Inc., 1973, 213. |
| Ralph Ellison. Invisible
Man. London, New York: Penguin Books, 1965. |
| Joseph Heller. Catch 22.
New York: Dell Publishing Co., Inc., 1961. |
| Toni Morrison. Sula. London: Picador, 1991. |
| Leslie M. Silko. Ceremony. London, New York: Penguin Books, 1986. |
| Malcolm X. The Autobiography. New York: Ballantine Books, 1992. |
| Bernard Malamud. "Angel Levine". The Magic Barrel. New York: Avon Books, 1981, 41-53. |
| Tillie Olsen. "I Stand Here Ironing". Women and Fiction. Hg. Susan Cahill. New York, Scarborough: New Am. Library, 1975, 162-71. |
| Tillie Olsen. "One Out Of Twelve. Writers Who are Women in Our Century". Silences. New York. Dell Publishing Co., Inc., 1979, 22-46. |
| Grace Paley. "Two Short Sad Stories from a Long and Happy Life". The Little Disturbances of Man. London: Virago Press, 1980, 127-45. |
| Cynthia Ozick. "Puttermesser: Her Work History, Her Ancestry, Her Afterlife". Levitation. New York: E.P. Dulton, Inc., 1983, 21-38. |
| Robert Coover. "The Babysitter". the naked i. Hg. Frederick R. Karl, Leo Hamalian. Greenwich, Conn.: Fawcett Publication Inc., 1971, 169-98. |
| Mari Evans. "Vive Noir". Understanding the New Black Poetry. Hg. Stephen Henderson. New York: William Morrow & Company Inc., 1973, 247-49. |
| Adrienne Rich. "Snapshots". The Norton Anthology of Lit. by Women. Hg. Sandra Gilbert, Susan Gubar. New York, London: W.W. Norton & Company, 1985, 2026-29. |
| Sylvia Plath. "Daddy". The Heath Anthology of Am.Lit. Vol. 2. Hg. Paul Lauter. Lexington, Mass., Toronto: D.C. Heath and Company, 1990, 2432-34. |
| Gary Snyder. "Revolution in the Revolution in the Revolution". Regarding Wave. New York: New Directions Books. 1970, 39. |
| 6. Filmliste |
| Charlie Chaplin. The Pawnshop (1916). Stan Laurel and Oliver Hardy. Big Business (1929). |
| Erich von Stroheim. Greed (1925). |
| Buster Keaton. The General (1926). |
| Howard Hawks. Scarface (1932). |
| Frank Capra. It Happened One Night (1934). |
| Edward Cline. My Little Chickadee (1940). |
| Orson Welles. Citizen Kane (1941). |
| Alfred Hitchcock. Shadow of a Doubt (1943). |
| Michael Curtiz. Mildred Pierce (1945). |
| Stanley Donen and Gene Kelly. Singin' in the Rain(1952). |
| John Ford. The Searchers (1956). |
| Dennis Hopper. Easy Rider (1969). |
| John Cassavetes. A Woman under the Influence (1974). |
| Martin Scorsese. Taxi Driver (1976). |
| Ridley Scott. Blade Runner (1982) oder David Cronenberg. Videodrome (1982). |
| Gregory Nava. El Norte (1983). |
| Stanley Kubrick. Full Metal Jacket (1987). |
| Spike Lee. Do the Right Thing (1989). |
| Oliver Stone. Natural Born Killers (1994). |
| 7. Schwerpunkt "Theorie" |
| Jacques Derrida. "Structure, Sign and Play in the Discourse of the Human Sciences". 1966; Übers. Alan Bass, 1978; Modern Criticism and Theory. Hg. David Lodge. London, New York: Longman, 1988, 108-123. |
| Roland Barthes. "The Death of the Author". 1968; Übers. Stephen Heath, 1977; repr. Modern Criticism and Theory. Hg. David Lodge. London, New York: Longman, 1988, 167-172. |
| Michel Foucault. "What Is an Author?" 1969; Übers. Joseph V. Harari, 1979; Modern Criticism and Theory. Hg. David Lodge. London, New York: Longman, 1988, 197-210. |
| Stanley Fish. "What Makes an Interpretation Acceptable?" Is There a Text in This Class? The Authority of Interpretive Communities. Cambridge, London: Harvard University Press, 1980, 338-355. |
| Barbara Johnson. "Melville's Fist: The Execution of Billy Budd". The Critical Difference. Baltimore: John Hopkins U. P., 1982, 79-109. |
| Terry Eagleton. "Introduction: What Is Literature?" Literary Theory: An Introduction. Minneapolis: Univ. of Minnesota Press, 1983, 1-16. |
| Donna Haraway. "A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century". 1985; Simians, Cyborgs, and Women: The Reinvention of Nature. London: Free Association Books, 1991, 149-181. |
| Gloria Anzaldúa. "La conciencia de la mestiza: Towards a New Consciousness". 1987; American Feminist Thought at Century's End: A Reader. Hg. Linda S. Kauffman. Cambridge: Blackwell, 1993, 427-440. |
| Winfried Fluck. Theorien amerikanischer Literatur. Konstanz: Universitätsverlag Konstanz, 1987. |
| Henry Louis Gates, Jr. "The Signifying Monkey and the Language of Signifyin(g): Rhetorical Difference and the Orders of Meaning". The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York, Oxford: Oxford UP, 1988, 44-88. |
| Trinh T. Minh-ha. "Outside In Inside Out". 1988; When the Moon Waxes Red: Representation, Gender, and Cultural Politics. New York, London: Routledge, 1991, 65-78. |
| Tania Modleski. "Introduction: Hitchcock, Feminism, and the Patriarchal Unconscious". The Women Who Knew Too Much: Hitchcock and Feminist Theory. New York, London: Routledge, 1988, 1-15. |
| Valerie Smith. "Black Feminist Theory and the Representation of the 'Other'". Changing Our Own Words: Essays on Criticism, Theory, and Writing by Black Women. Hg. Cheryl A. Wall. New Brunswick, N. J.: Rutgers U. P., 1989, 38-57. |
| Judith Butler. "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory". Performing Feminism: Feminist Critical Theory and Theatre. Hg. Sue-Ellen Case. Baltimore: John Hopkins U. P., 1990, 270-282. |
| Wolfgang Karrer and Hartmut Lutz. "Minority Literatures in North America: From Cultural Nationalism to Liminality". Minority Literatures in North America: Contemporary Perspectives. Hg. Karrer und Lutz. Frankfurt a. M., New York: Peter Lang, 1990, 11-64. |